By Thomas Ort (auth.)
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Extra resources for Art and Life in Modernist Prague: Karel Čapek and His Generation, 1911–1938
She read voraciously and subscribed to the most important Czech literary journals 20 Art and Life in Modernist Prague to keep abreast of developments in European literature. Something of an amateur ethnographer, she assiduously collected and recorded local folksongs, stories, and legends. But she was also unstable emotionally, prone to dramatic outbursts followed by bouts of debilitating depression. By most accounts, she was unhappy in her marriage and sometimes would refuse to speak with any member of her family for days on end, save one: Karel.
His office was located in an annex to his house, exposing Karel to many of Úpice’s contrasts directly in his own home. But even more so, Karel, as the most academically gifted of his three siblings and the one expected to follow his father’s footsteps into the medical profession, frequently accompanied Dr. ” In the company of his father, he was introduced to “the hovels of the poor and the dimly-lit rooms of millionaires; the smalltown world of craftsmen and shopkeepers, poorhouses and factories .
Unlike in Vienna where Austrian nationalism was for the intellectual bourgeoisie hardly a conceivable response to the breakdown of liberal culture, and unlike in Budapest where nationalism lost its appeal for an intellectual class composed largely of marginal groups increasingly defined outside the boundaries of the Hungarian nation, in Prague the Czech-speaking bourgeoisie, including its intellectual and artistic elites, found in nationalism an appropriate vehicle for its political aspirations as well as a usable source of new, integrative social values.
Art and Life in Modernist Prague: Karel Čapek and His Generation, 1911–1938 by Thomas Ort (auth.)