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By Ahmet Evin

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Some rich theater nut had left money in his will to have Shakespeare's plays performed the way they were four hundred years ago, when he first wrote them. There were no actresses in the theater in those days; the women's parts were all played by boys whose voices hadn't broken yet. Some of the theater companies were made up of men and boys, some just of boys. Like ours. And when we'd rehearsed for three weeks, the rich man's money was going to fly us across the Atlantic to London, to perform at the new Globe, a theater that was an exact copy of the one the plays were first acted in, four centuries ago.

My head was suddenly throbbing. I thought I heard a snatch of bright music, from some stringed instrument like a harp or a guitar, and I smelled flowers, the sweet scent of lilies, like in my aunt's garden—and right after it another scent that was not sweet at all but awful, disgusting, like a sewer. Was it real? I put my hand on the nearest wall, to steady myself, and Gil looked back at me. "Nat? " The buildings were still and safe again around my head. " I ran to catch up with them, and we hurried on.

Before that, the company had been playing for years in a theater—called, believe it or not, just The Theatre—across the river, in Shoreditch, until their lease on the land ran out and the landlord refused to renew it. Master Burbage and his brother Cuthbert had just inherited The Theatre from their father, James, who built it. There it stood, useless, on ground they weren't allowed to set foot on. Where were they to act? It was the actors who solved the problem, Harry said, grinning. Five of them got together with the Burbages, raised enough money to lease a piece of land here in Southwark, and hired a master carpenter.

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Architecture Education In The Islamic World by Ahmet Evin

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