By Ernst Neufert
This ebook used to be asked by means of our layout and Drafting Chair and he's tremendous proud of the content material.
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Additional resources for Architects' Data (3rd Edition)
The 1-point perspective was easy, wasn’t it? Now, let’s see what happens when you add another point on the horizon. It’s very common in real life to have this kind of view, so it is important to learn it. We will start again with a low horizon for a frog that cannot see far. The buildings appear humongous to the frog, as if they are intimidating him. Since it’s a frog and you’re looking up, start with a low horizon. Draw two lines on the horizon on the sides, not in the middle. From those two points, draw two lines that meet each other somewhere in the middle or a little away from it.
See above. Do the same with the windows. Estimate where they will be, draw two vertical lines and two diagonal ones that go to the vanishing point, as shown in the picture above. In the end, you can add some curtains, mountains, more houses, etc. The drawing above is an example of what you can do to complete the picture. Chapter 4: The Frog’s 2-Point Perspective Let’s make this a little more challenging. The 1-point perspective was easy, wasn’t it? Now, let’s see what happens when you add another point on the horizon.
This fading can be done by smudging. Your materials don’t just include your eraser, sharpener, and pencils, but also your finger. If you’re right-handed, it would be obvious to use the right pointing finger to exercise more control; and if you’re left-handed, the left one. Make sure you don’t lean with that finger on your paper. Wash it or rub it off if you want to touch other parts of the paper. So when do you smudge, and when is it better to use a lot of fine lines? The answer is easy: When the surface is smooth you smudge with your finger to create a fading effect.
Architects' Data (3rd Edition) by Ernst Neufert