By Chris Jackson
The most interesting new good points in After results is the mixing of Cinema 4D utilizing the CINEWARE plug-in and a unfastened model of Cinema 4D Lite. either offer a large collection of latest 3D instruments and techniques which are tricky or approximately most unlikely to accomplish in After results by myself. This ebook truly demonstrates how the hot 3D workflow bridges the 2 functions jointly to elevate the layout bar for movement snap shots and broadcast design.
Hands-on workouts educate you crucial construction talents including:
CINEMA 4D Lite
Importing 3D versions in After Effects
Tracking 3D movement in After Effects
Compositing with CINEWARE
Using MoGraph positive factors in CINEMA 4D
Rendering and optimization techniques
The better half site (www.focalpress.com/9781138777934) gains undertaking records and video clips showcasing the concepts lined within the booklet.
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Extra resources for After Effects and Cinema 4D Lite : 3D Motion Graphics and Visual Effects Using CINEWARE
Here I want to introduce the Lens blur filter, which is new in Photoshop. Because with the Lens blur filter, it is now possible to create realistic-looking blurs that make designated areas of the image look as if they were shot out of focus. 1. Define the outline. To start with I used the pen tool in Photoshop to draw a pen path around the leaves of the plant and table. I saved the work path as a new path and then converted the saved path to a selection. I then inverted the selection to select the outer area by going to the Select menu and choosing Inverse.
Conclusion. Adjustments abound in this technique! You could completely change the image in the background because the woodcut provides the image detail. You can use the Levels command to lighten the background layer if it is too dark. You can vary the setting of the High Pass filter to create a woodcut with less detail in it. I frequently use the Filter > Noise > Dust & Scratches filter with a Radius of 20 and a Threshold of 0 in place of the Gaussian Blur filter. On many images, Dust & Scratches does a better job than the Gaussian Blur filter of preserving the original image colors.
11. Blur the roughened text/image. With Layer 2 active go to Filter, Blur, Gaussian Blur. 0 pixels and click OK. 12. Take the softened text image and harden the edge by adding contrast. With Layer 2 active choose Image > Adjust > Levels. 00, 190 and click OK. Tutorial ADOBE PHOTOSHOP CS TIPS AND TRICKS 54 Rain Drops 13. Load a selection from the text/image and delete the white areas. To load a selection from Layer 2 press Command-Option-~ (Mac) or Control-Alt-~ (Windows). This can also be done by clicking the Channels tab, then Click the Load Channel as Selection icon at the bottom of the palette.
After Effects and Cinema 4D Lite : 3D Motion Graphics and Visual Effects Using CINEWARE by Chris Jackson