Download Advanced Scale Concepts For Guitar by Jean Marc Belkadi PDF

By Jean Marc Belkadi

(Musicians Institute Press). MI teacher Jean Marc Belkadi unearths the secrets and techniques to making fascinating, over-the-top words. This ebook is the total source for utilizing pentatonic, harmonic minor, melodic minor, complete tone, and lowered scales. The CD contains ninety nine full-band tracks.

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The guitar ritornello is longer, ringing yet another change on the pentatonic, parallel-fourth motif. The accompanimental track is treated more loosely throughout, open to spontaneous variations. She mixes in figural touches strongly reminiscent of her 1994 song “Sex Kills,” and even mixes in temporary shifts to a major tonic. In a tiny but resonant detail, where the 1979 and 1983 recordings remain open-ended, fading out on a harmonic loop, Mitchell uses her new guitar break to bring the latest version to musical closure.

The groove is pieced together from a number of interlocking rhythmic parts, forming a rather inflexible whole. In fact, the concept of mechanization guides the entire sound design. Brittle percussive effects (including an extremely sharp backbeat) are slotted into a matrix of synthesized harmony. There is a very quick decay in keyboard and drum, deliberately exaggerating the sense of an artificially constructed performance space. Drums are either sampled or kept fanatically uniform. Stitched into the rhythmic underlay is a persistent syncopated vocal sample of the primary refrain (“dog eat dog”), leached of its vowel qualities.

Woodstock,” chorus, four versions c. From Miles of Aisles (1974) E D/E We are star - dust, Bm we are gol - Bm And we D/E Bm/D gar - den, get our - selves F♯m - F♯m A got to C♯m G - back to the Bm - - - den. d. From Shadows and Light (1979) Fm11 Gm11 We are star dust, we’re gol Fm11 And we got to get our - Fm11 gar - den. 39 Meanwhile, where the original performance emphasized urgency by placing the words “And we got to” at the point of tonic arrival, in the later version these words are passed over very quickly before the first beat of the new bar.

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Advanced Scale Concepts For Guitar by Jean Marc Belkadi

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